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Freud's original examples of the Oedipus complex are applied only to boys or men; he never fully clarified his views on the nature of the complex in girls. [20] He described the complex as a young boy's hatred or desire to eliminate his father and to have sex with his mother.
Hamlet and Oedipus is a study of William Shakespeare's Hamlet in which the title character's inexplicable behaviours are subjected to investigation along psychoanalytic lines. [ 1 ]
Campbell used the work of early-20th-century theorists to develop his model of the hero (see also structuralism), including Freud (particularly the Oedipus complex), Carl Jung (archetypal figures and the collective unconscious), and Arnold Van Gennep. Van Gennep contributed the concept of there being three stages of The Rites of Passage.
For example, although Freud defines religion and metaphysics as displacements of the identification with the father in the resolution of the Oedipal complex, Derrida insists that the prominence of the father in Freud's own analysis is itself indebted to the prominence given to the father in Western metaphysics and theology since Plato.
Some generally agree with Freud's major outlines, modifying it through observations of the pre-Oedipal phase. Others reformulate Freud's theories more completely. Hélène Deutsch
The superego and the ego are the product of two key factors: the state of helplessness of the child and the Oedipus complex. [35] In the case of the little boy, it forms during the dissolution of the Oedipus complex, through a process of identification with the father figure, following the failure to retain possession of the mother as a love ...
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Seven Against Thebes (Ancient Greek: Ἑπτὰ ἐπὶ Θήβας, Hepta epi Thēbas; Latin: Septem contra Thebas) is the third play in an Oedipus-themed trilogy produced by Aeschylus in 467 BC. The trilogy is sometimes referred to as the Oedipodea . [ 2 ]