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  2. Drip painting - Wikipedia

    en.wikipedia.org/wiki/Drip_painting

    Drip painting is a form of art, often abstract art, in which paint is dripped or poured on to the canvas. [1] This style of action painting was experimented with in the first half of the twentieth century by such artists as Francis Picabia , André Masson and Max Ernst , who employed drip painting in his works The Bewildered Planet , and Young ...

  3. Abstract art - Wikipedia

    en.wikipedia.org/wiki/Abstract_art

    Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.

  4. Modern art - Wikipedia

    en.wikipedia.org/wiki/Modern_art

    Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative , which was characteristic of the traditional arts, toward abstraction is characteristic of much modern art.

  5. List of contemporary artists - Wikipedia

    en.wikipedia.org/wiki/List_of_contemporary_artists

    This is a list of artists who create contemporary art, i.e., those whose peak of activity can be situated somewhere between the 1970s (the advent of postmodernism) and the present day. Artists on this list meet the following criteria:

  6. Neo-minimalism - Wikipedia

    en.wikipedia.org/wiki/Neo-minimalism

    Neo-minimalism is an amorphous art movement of the late 20th and early 21st centuries. It has alternatively been called Neo-Geometric or "Neo-Geo" art. Other terms include: Neo-Conceptualism, Neo-Futurism, Neo-Op, Neo-pop, New Abstraction, Poptometry, Post-Abstractionism, and Smart Art.

  7. Post-painterly abstraction - Wikipedia

    en.wikipedia.org/wiki/Post-painterly_Abstraction

    Post-painterly abstraction is a term created by art critic Clement Greenberg [1] as the title for an exhibit he curated for the Los Angeles County Museum of Art in 1964, which subsequently travelled to the Walker Art Center and the Art Gallery of Toronto.

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