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Musicians can remember the notes associated with the five lines of the treble clef using any of the following mnemonics, EGBDF: (from the bottom line to the top) Every Good Boy Does Fine. [46] Every Good Boy Deserves Fudge (or Friendship, Fun, Fruit, etc.) Eggnog Gets Better During February; Empty Garbage Before Dad Flips; Eat Good Bread Dear ...
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Theoretically, any clef may be placed on any line. With five lines on the staff and three clefs, there are fifteen possibilities for clef placement. Six of these are redundant because they result in an identical assignment of the notes—for example, a G-clef on the third line yields the same note placement as a C-clef on the bottom line.
"The number of the notes that make up a scale as well as the quality of the intervals between successive notes of the scale help to give the music of a culture area its peculiar sound quality." [6] "The pitch distances or intervals among the notes of a scale tell us more about the sound of the music than does the mere number of tones." [7]
Every Good Boy Deserves Fudge is the second studio album by American rock band Mudhoney. [3] [17] It was recorded at a time when the band was thinking of signing to a major record label, but decided to release the album on Sub Pop in 1991. The album shipped 50,000 copies on its original release. [18]
The last film in the "High School Musical" trilogy, "High School Musical 3: Senior Year," turns 15 on Tuesday, and you know what that means: It's time to revisit — and rank — all 11 songs from ...
The first Western system of functional names for the musical notes was introduced by Guido of Arezzo (c. 991 – after 1033), using the beginning syllables of the first six musical lines of the Latin hymn Ut queant laxis. The original sequence was Ut Re Mi Fa Sol La, where each verse started a scale note higher. "Ut" later became "Do".
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