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The Conversion of Saul. Mary and Christ. The Last Judgment (Italian: Il Giudizio Universale) [1] is a fresco by the Italian Renaissance painter Michelangelo covering the whole altar wall of the Sistine Chapel in Vatican City. It is a depiction of the Second Coming of Christ and the final and eternal judgment by God of all humanity.
Chinese woodblock illustration of a waidan alchemical refining furnace, 1856 Waike tushuo 外科圖説 (Illustrated Manual of External Medicine). Waidan, translated as 'external alchemy' or 'external elixir', is the early branch of Chinese alchemy that focuses upon compounding elixirs of immortality by heating minerals, metals, and other natural substances in a luted crucible.
Nicolas Flamel (French: [nikɔla flamɛl]; c. 1330 – 22 March 1418) [1] was a French scrivener and manuscript seller. After his death, Flamel developed a reputation as an alchemist believed to have created and discovered the philosopher's stone and to have thereby achieved immortality.
Nixtamalization (/ ˌnɪkstəməlɪˈzeɪʃən /) is a process for the preparation of maize, or other grain, in which the grain is soaked and cooked in an alkaline solution, usually limewater (but sometimes aqueous alkali metal carbonates), [1] washed, and then hulled. The term can also refer to the removal via an alkali process of the pericarp ...
Outer and inner alchemy. Chinese alchemy can be divided into two methods of practice, waidan or "external alchemy" and neidan or "internal alchemy". Doctrine can be accessed to describe these methods in greater detail; the majority of Chinese alchemical sources can be found in the Daozang, the "Taoist Canon".
Magnum opus (alchemy) In alchemy, the Magnum Opus or Great Work is a term for the process of working with the prima materia to create the philosopher's stone. It has been used to describe personal and spiritual transmutation in the Hermetic tradition, attached to laboratory processes and chemical color changes, used as a model for the ...
Alembic. An alembic (from Arabic: الإنبيق, romanized: al-inbīq, originating from Ancient Greek: ἄμβιξ, romanized: ambix, 'cup, beaker') [1][2][3] is an alchemical still consisting of two vessels connected by a tube, used for distillation of liquids.
A number of evocative symbols and archetypal images are present in the Chamber of Reflection. They may be physically present or represented on a wall poster, painted or engraved on the walls. Although the impact of the chamber's furniture must of necessity be personal, the symbolism relates to hermetic and alchemical correspondences. The ...