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Hawkeye and Charles start a rumor that Marilyn Monroe is coming to the 4077th, while a sniper interrupts B.J.'s fishing trip and involves him in a helicopter rescue.. Note — Marilyn Monroe visited Korea in February 1954.
Alan Alda (left), Wayne Rogers (right), McLean Stevenson (in back) and Loretta Swit (in front) from the first season of M*A*S*H M*A*S*H is an American television series developed by Larry Gelbart and adapted from the 1970 feature film MASH (which was itself based on the 1968 novel MASH: A Novel About Three Army Doctors by Richard Hooker). It follows a team of doctors and support staff ...
M*A*S*H (an acronym for Mobile Army Surgical Hospital) is an American war comedy drama television series that aired on CBS from September 17, 1972 to February 28, 1983. It was developed by Larry Gelbart as the first original spin-off series adapted from the 1970 film of the same name, which, in turn, was based on Richard Hooker's 1968 novel MASH: A Novel About Three Army Doctors.
"Goodbye, Farewell and Amen" is a television film that served as the series finale of the American television series M*A*S*H. The 2½-hour episode first aired on CBS on February 28, 1983, ending the series' original run.
It was the first spin-off to feature a character from the series in civilian life after the war. Legally, Trapper John, M.D. is a direct spin-off of the MASH film rather than the television series due to licensing issues. The pilot episode briefly shows a photograph of Rogers and Alda.
The opening titles include quotes from Generals Dwight D. Eisenhower ("I will go to Korea") and Raymond W. Bliss ("A terrible place to be"). While on R&R, Hawkeye misses Trapper John's discharge, and tries to say goodbye but misses him by 10 minutes, but he meets his new ally in Captain B.J. Hunnicutt (Mike Farrell).
In the retrospective show Memories of M*A*S*H, Kellye Nakahara stated that Alan Alda approached her with the script for the episode to see if she would be interested in taking center-stage in an episode.
B.J. and Charles have a clash of the egos while working together on a medical paper. Third and final appearance of Scully, whose more traditional attitudes toward relationships clash with Margaret's less stringent views. Harry Morgan received a Primetime Emmy Award nomination for directing this episode.