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Most commonly, Braxton Hicks contractions are weak and feel like mild cramping that occurs in a localized area in the front abdomen at an infrequent and irregular rhythm (usually every 10-20 minutes), with each contraction lasting up to 2 minutes.
"Alarm" is a song by English singer and songwriter Anne-Marie. It was released on 20 May 2016 by Major Tom's, Asylum Records , and Atlantic Records as the lead single from her debut studio album, Speak Your Mind (2018).
Then adding up those numbers generated by each contraction within a 10-minute window. For example, five contractions occurred, producing peak pressures of 55, 50, 45, 65, and 50 mm Hg, respectively. The resting tone of the contractions is 10. 55-10 = 45 50-10 = 40 45-10 = 35 65-10 = 55 50-10 = 40 45+40+35+55+40 = 215 MVUs
Some acronyms are formed by contraction; these are covered at Wikipedia:Manual of Style/Abbreviations. Some trademarks (e.g. Nabisco) and titles of published works (e.g. “Ain't That a Shame”) consist of or contain contractions; these are covered at Wikipedia:Manual of Style/Trademarks and Wikipedia:Manual of Style/Titles, respectively.
The frequency of these depolarizations in a region of the GI tract determines the possible frequency of contractions. In order for a contraction to occur, a hormone or neurocrine signal must induce the smooth muscle cell to have an action potential. The basal electrical rhythm allows the smooth muscle cell to depolarize and contract ...
The song was the first official release by the Alarm since 1991, although it was originally credited as a recording by the Poppy Fields. The single was released on 7" vinyl and two CD editions. It was billed as an advance release from the album In the Poppy Fields .
"False Alarm" is a song written by British singer Becky Hill and produced by Norwegian DJ and tropical house record producer Matoma. Written at a writing camp in Copenhagen with the acclaimed songwriter Kara DioGuardi , the song was released as a digital download on 24 June 2016 through Warner Music Group .
Thus, five of the album's 12 songs (including most of side 1 of the vinyl LP) were non-group songs. The new direction did not pay off commercially for the band. Many of the tracks on The World in a Sea Shell featured lush orchestration and a gentle, escapist feel that stood in stark contrast to the adventurous psychedelia of the band's past work.
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