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Amos Owens (ca. 1822 – 1906), [1] aka The Cherry Bounce King, was a nineteenth and early twentieth century moonshine producer who lived in Rutherford County, North Carolina. Of Irish descent, his grandfather fought in the Battle of King's Mountain in the Revolutionary War. He was renowned for the mixture of whiskey, honey and cherries and "[p ...
DJ Jubilee, also known as “The King of Bounce” began DJing at house parties and block parties in 1990. He achieved significant recognition for his 1990 cassette single Do The Jubilee All Take Fo' Records. [1] This song contains the first recorded use of the word 'twerk'. [2]
Foghat in 1975, clockwise from top left: "Lonesome" Dave Peverett, Tony Stevens, Roger Earl and Rod Price. Foghat are an English blues rock band from London.Formed in January 1971, the group originally included lead vocalist and rhythm guitarist "Lonesome" Dave Peverett, bassist and backing vocalist Tony Stevens, drummer Roger Earl (all recently departed from Savoy Brown) and lead guitarist ...
Thousand Foot Krutch (often abbreviated TFK) is a Canadian Christian rock band formed in Peterborough, Ontario, in 1995. [6] [7] The band has released ten studio albums, two live albums, and three remix albums.
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Hit the Floor, originally titled Bounce, is an American sports drama television series that debuted on VH1 on May 27, 2013. Created by James LaRosa, the series chronicles the off-the-court drama surrounding the Los Angeles Devil Girls, the cheerleaders for the Los Angeles Devils, a fictional professional basketball team.
Bounce music is a style of New Orleans hip hop music that is said to have originated as early as the late 1980s in the city's housing projects. [1] Popular bounce artists have included DJ Jubilee , Partners-N-Crime , Magnolia Shorty and Big Freedia .
Robert Steven "Adrian" Belew (born December 23, 1949) is an American musician, singer, songwriter, and record producer. A multi-instrumentalist primarily known as a guitarist and singer, he is noted for his unusual approach to the instrument, his playing cited as fluid, expressive, and often resembling "animal noises or mechanical rumblings".
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