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Oikonomos (Greek: οἰκονόμος, from οἰκο - 'house' and - νόμος 'rule, law'), Latinized œconomus, oeconomus, or economos, was an Ancient Greek word meaning "household manager." In Byzantine times, the term was used as a title of a manager or treasurer of an organization.
Michalis Oikonomou (also Mihalis Ikonomou or Michael Economou; Greek: Μιχάλης Οικονόμου, 1888–1933) was a Greek impressionist painter. [1] [2] He was born in 1888 in Piraeus in the Attica prefecture (then Attica-Viotia) and went to school there. His first art teacher was Konstantinos Volanakis.
Oikonomos was a household manager in Ancient Greece, or a treasurer of an organization. It may also refer to: The etymology of the word economy; Oikonomos Tsaritsani F.C., a Greek football club; Oikonomos, a photograph series by Edson Chagas
Erastus, Olympas, Rhodion, Sosipater, Quartus and Tertius (Menologion of Basil II) Erastus of Corinth (Greek: Ἔραστος, Erastos), also known as Erastus of Paneas, held the political office of steward (Greek: οἰκονόμος, oikonomos), in Corinth, according to the Epistle to the Romans 16:23 of the New Testament.
The Oeconomicus (Ancient Greek: Οἰκονομικός) by Xenophon is a Socratic dialogue principally about household management and agriculture. Oeconomicus comes from the Ancient Greek words oikos for home or house and nemein which means management, [1] literally translated to 'household management'.
One of the most important forms of Byzantine art was, and still is, the Cretan school as the leading school of Greek post-Byzantine painting after Crete fell to the Ottomans in 1669. Like the Cretan school, it combined Byzantine traditions with an increasing Western European artistic influence, and also saw the first signiand the National ...
The title of this work means "household management" and is derived from the Greek word, οἶκος, oikos, meaning "house/household". The term includes household finance as it is commonly known today and also defines the roles members of the household should have.
Greek art, especially sculpture, continued to enjoy an enormous reputation, and studying and copying it was a large part of the training of artists, until the downfall of Academic art in the late 19th century. During this period, the actual known corpus of Greek art, and to a lesser extent architecture, has greatly expanded.