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An idyll (/ ˈ aɪ d ɪ l /, UK also / ˈ ɪ d ɪ l /; from Greek εἰδύλλιον (eidullion) 'short poem'; occasionally spelled idyl in American English) [1] [2] [3] is a short poem, descriptive of rustic life, written in the style of Theocritus's short pastoral poems, the Idylls (Εἰδύλλια). Unlike Homer, Theocritus did not engage ...
Chalcedony scaraboid seal stone: 4th cent. BC. Fox and vine. A shepherd and a goatherd meet in the pastures one noontide and compliment each other upon their piping. [1] The shepherd, Thyrsis by name, is persuaded by the other—for a cup which he describes but does not at first show—to sing him The Affliction of Daphnis, a ballad which tells how the legendary cowherd, friend not only of ...
Silver stater of Metapontum: 400 BC.Barley ear and grasshopper (rev.) Idyll X, sometimes called Θερισταί ('The Reapers') or Εργατίναι ('The Labourers'), is a bucolic poem by the 3rd-century BC Greek poet Theocritus. [1]
Syracusan Bride leading Wild Animals in Procession to the Temple of Diana (1866). This monologue consists of two parts; in the first part a Coan girl named Simaetha, assisted by her maid Thestylis, lays a fire-spell upon her neglectful lover, the young athlete Delphis; in the second, when her maid goes off to smear the ashes upon his lintel, she tells the Moon how his love was won and lost. [1]
Idyll XXI, also called Ἁλιεῖς ('The Fisherman'), is a poem traditionally attributed to the 3rd century BC Greek poet Theocritus. [1] After some verses addressed to Diophantus, a friend about whom nothing is known, the poet describes the toilsome life of two old fishermen. [2]
Get ready for all of today's NYT 'Connections’ hints and answers for #487 on Thursday, October 10, 2024. Today's NYT Connections puzzle for Thursday, October 10, 2024. The New York Times.
This idyll is one of Theocritus' best-well-known bucolics, along with Idylls I, VI, and VII. Idyll XI has an unusual set of narrative framing, as Theocritus appears in propria persona, and directly offers his friend Nicias consolatio amoris. [2] Nicias worked as a doctor, and it is likely the two knew each other in their youth. [3]
[10] The poem is considered an elegy in the original sense of the Greek word elegeia, because it laments the fact that the father and son diverge in life, so they will most likely diverge in death as well. Though in its prime, the pastoral elegy had wide appeal, it is now sometimes considered dead.