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List of Malayalam-language authors lists writers in Malayalam who already have Wikipedia pages. References for the information appear on the linked Wikipedia pages. The list is incomplete – please help to expand it by adding Wikipedia page-owning writers who have written extensively in any genre or field, including science and scholarship.
According to a major Pakistani English-language newspaper, Altaf Hussain Hali and Maulana Shibli Nomani played key roles in rescuing Urdu language poetry in the 19th century, "Hali and Shibli rescued Urdu poetry. They re-conceived Urdu poetry and took it towards a transformation that was the need of the hour."
Malayalam literature's most significant female authors are K. Saraswathi Amma, Rajalakshmi, Lalithambika Antharjanam and Madhavikutty (Kamala Das), best known for their narrating of "woman's space". Women's literary writing in Malayala is part of a tradition of resistance and contributes to the women's cause through the merging of the public ...
A Malayalam speaker, recorded in South Africa. Malayalam (/ ˌ m æ l ə ˈ j ɑː l ə m /; [9] മലയാളം, Malayāḷam, IPA: [mɐlɐjaːɭɐm] ⓘ) is a Dravidian language spoken in the Indian state of Kerala and the union territories of Lakshadweep and Puducherry (Mahé district) by the Malayali people.
Folk songs are the oldest literary form in Malayalam. [33] They were just oral songs. [33] Many of them were related to agricultural activities, including Pulayar Pattu, Pulluvan Pattu, Njattu Pattu, Koythu Pattu, etc. [33] Other Ballads of Folk Song period include the Vadakkan Pattukal (Northern songs) in North Malabar region and the Thekkan Pattukal (Southern songs) in Southern Travancore. [33]
According to Munshi Premchand, "Rashid ul Khairi was a great name in literature for women in Urdu, and all those who know Urdu language should be grateful to him." Gail Minault , Professor of History at the University of Texas , in her book Secluded Scholars wrote that, "Rashid ul Khairi was a pioneer of women's right in the Islamic tradition ...
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]
This slogan was coined by the Islamic scholar, Urdu poet, Indian freedom fighter, prominent leader of Indian National Congress and one of the founders of communist party of India, Maulana Hasrat Mohani in 1921. [9] [10] [11] It was popularized by Bhagat Singh (1907–1931) during the late 1920s through his speeches and writings. [12]