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The carol is the second of three songs included in the Pageant of the Shearmen and Tailors, a nativity play that was one of the Coventry Mystery Plays, originally performed by the city's guilds. The exact date of the text is unknown, though there are references to the Coventry guild pageants from 1392 onwards.
In the play, the lyrics for the song "The Friendly Beasts" are attributed to Robert Davis; the song is also ascribed "XII Century | Arranged by Clarence Dickinson". The lyrics run: Jesus our brother, strong and good, Was humbly born in a stable rude, And the friendly beasts around Him stood, Jesus our brother, strong and good.
Black Nativity is an adaptation of the Nativity story by Langston Hughes, performed by an entirely black cast. Hughes was the author of the book, with the lyrics and music being derived from traditional Christmas carols , sung in gospel style, with a few songs created specifically for the show.
"Rise Up, Shepherd, and Follow" is a song telling the story of Christmas morning, describing a "star in the East" that will lead to the birthplace of Christ. The title derives from a lyric repeated throughout the song. Depending on how the song is arranged and performed, it is known variously as a spiritual, hymn, carol, gospel song, or folk song.
Cover of original 1959 edition of sheet music of Little Donkey. Little Donkey is a popular Christmas carol, written by British songwriter Eric Boswell in 1959, which describes the journey by Mary the mother of Jesus to Bethlehem on the donkey of the title.
"The Holly and the Ivy" is a traditional British folk Christmas carol, listed as number 514 in the Roud Folk Song Index. The song can be traced only as far as the early nineteenth century, but the lyrics reflect an association between holly and Christmas dating at least as far as medieval times. The lyrics and melody varied significantly in ...
The First Nowell was written to accompany a nativity play adapted from medieval pageants by Simona Pakenham. Pakenham recalled: Pakenham recalled: In early July 1958, I was asked by Austin Williams, the vicar of St. Martin-in-the-Fields , to persuade Vaughan Williams to collaborate with me on the writing of a nativity play.
The landscape varies, though scenes in the background of a Nativity very often show the shepherds on a steep hill, making visual sense of their placement above the main Nativity scene. The number of shepherds shown varies also, [ 18 ] though three is typical in the West; one or more dogs may be included, as in the Taddeo Gaddi (right, with red ...
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