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It is a depiction of the large petals of the exterior of the flower, with focus on the interior through the use of contrasting shades of colors. The painting was made with red, orange, brown, and pink paint. [12] The 22 in × 17 in (56 cm × 43 cm) abstract oil painting is owned by private collectors. [13]
The American artist Georgia O'Keeffe is best known for her close-up, or large-scale flower paintings, [1] which she painted from the mid-1920s through the 1950s. [2] She made about 200 paintings of flowers of the more than 2,000 paintings that she made over her career. [3]
Although abstract, the artist has used local color: green for foliage and greens and browns for land patches, black for tree trunks, tans for house siding. It calls to mind Braque's 1908 landscape oil 'Big Trees at L'Estaque'." Other paintings, particularly her still-lifes and flower studies, were semi-abstract with less cubist influence. [47]
In 2014, O'Keeffe's 1932 painting Jimson Weed/White Flower No. 1 sold for $44,405,000—at the time, by far the largest price paid for any painting by a female artist. [10] Her works are in the collections of several museums, and following her death, the Georgia O'Keeffe Museum was established in Santa Fe.
The exhibition of O'Keeffe's complete Hawaii series of paintings, comprising tropical flowers, landscapes, and cultural artifacts, has only been shown together in their entirety once, appearing in O'Keeffe's original showing at An American Place from February 1 to March 17, 1940, which was positively received by critics at the time.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Art historian Britta Benke argues that due to "its meditative contemplation of individual objects", Summer Days is closer to a still life composition than to a landscape painting. [11] Author Marjorie P. Balge-Crozier suggests that there is an art historical precedent to O'Keefe's combination of still life and landscape imagery seen in Summer Days.
O'Keeffe began painting the centres of flowers in 1924. [ 14 ] [ 15 ] The first show of her enlarged flowers was at the Anderson Galleries in 1926. [ 16 ] The black irises were a recurring subject: She painted another oil called The Black Iris (CR 558), also known as The Dark Iris No. II and Dark Iris , a small (9x7") oil in 1926. [ 17 ]
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