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The music of ancient Rome was a part of Roman culture from the earliest of times. Songs ( carmen ) were an integral part of almost every social occasion. [ 1 ] The Secular Ode of Horace , for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC.
The Roman triumph was a civil ceremony and religious rite of ancient Rome, held to publicly celebrate and sanctify the success of a military commander who had led Roman forces to victory in the service of the state or, in some historical traditions, one who had successfully completed a foreign war.
The Band of the Welsh Guards of the British Army play as Grenadier guardsmen march from Buckingham Palace to Wellington Barracks after the changing of the Guard.. A march, as a musical genre, is a piece of music with a strong regular rhythm which in origin was expressly written for marching to and most frequently performed by a military band.
"Follow the Colours" is a marching song written by the English composer Edward Elgar in 1907, with words by Capt. William de Courcy Stretton. The song is for male voice solo with an optional male voice chorus, accompanied by piano, orchestra or military band.
The steady, regular marching step was a marked feature of Roman legions. Vegetius, the author of the only surviving treatise on the Roman Empire's military, De Re Militari, recognized the importance of: constant practice of marching quick and together.
Cornu (right) and water pipe organ (left) on a mosaic from Nennig, Germany. A cornu or cornum (Latin: cornū, cornūs or cornum, "horn", sometimes translated misleadingly as "cornet"; pl.: cornua) was an ancient Roman brass instrument about 3 m (9.8 ft) long in the shape of a letter 'G'.
He originally titled it "Grande Marche Chromatique", reflecting the use of chromatic scales throughout the piece, but changed the title based on his personal interest in the Roman Empire. Generally, the march is divided into three parts. The first part contains the melody that the trumpet keeps and the several supporting parts.
Cardea or Carda was the ancient Roman goddess of the hinge (Latin cardo, cardinis), Roman doors being hung on pivot hinges.The Augustan poet Ovid conflates her with another archaic goddess named Carna, whose festival was celebrated on the first day of June and for whom he gives the alternative name Cranê or Cranea, a nymph.