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The album peaked at No. 49 on the Billboard 200 in 1978. [3] It reached No. 12 on the Australian albums chart [4] [5] and No. 11 on the New Zealand albums chart. [6] William Ruhlmann of AllMusic gave the album a retrospective star rating of five stars out of five and described it as the "definitive version of the [Rocky Horror] score". [7]
Saw VI (soundtrack) Scream (1996 soundtrack) Scream 2 (soundtrack) Scream 3 (soundtrack) Scream 4 (soundtrack) Scream for Help (album) Smile 2: The Skye Riley EP; Spiral: From the Book of Saw Soundtrack; The Strangers (soundtrack) Stree (soundtrack) The Substance (soundtrack) Sweeney Todd: The Demon Barber of Fleet Street: The Motion Picture ...
The music highlights the control the film has over the ’80s: It never lets the setting define the film, which stops it from getting tangled in sentimentality. And therein lies its understated genius." [12] Paul Taylor of Lemon Wire said "the soundtrack to "IT: Chapter One” has everything you could ask for in a horror movie. It’s the ...
The Director's Cut is an album of cover versions of the scores and soundtracks of horror films. The songs are not necessarily accurate or faithful to the original versions—for example, "The Godfather" is an adaptation of Nino Rota's stately theme from The Godfather, rendered in a thrash metal style with scat lyrics. [4]
The song is calm and mellow, which contrasts with the horror content of the film. A live recorded version was released on the album The Jacksons Live! (1981) and eventually appeared on Michael Jackson's album Number Ones (2003). [4] Crispin Glover recorded a version of the song for the soundtrack of the 2003 remake of Willard.
Music in the Horror Film. Routledge. ISBN 978-0-415-99202-2. Rosar, William H. (1983). "Music for the Monsters: Universal's Pictures' Horror Film Scores in the Thirties". The Quarterly Journal of the Library of Congress. 40 (4). Thrower, Stephen (August 18, 2011). "From Goblin to Morricone: The Art of Horror Movie Music". The Guardian
Although Peele did the same in Get Out, the film had a different story and the music had to identify the characters and story, and Peele wanted him to experiment with duality in music, as it was an overarching theme in the film itself. Abels came up with traditional and non-traditional sounds being experimented to come up with the appropriate ...
Candyman (Original Motion Picture Soundtrack) is the soundtrack to the 2021 film of the same name.Featuring the film's score composed by Lichens who credited under his original name Robert Aiki Aubrey Lowe, the score consisted of vocal performances by the composer as well as acoustic instruments sampled and manipulated through recordings of various sounds at live locations.
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