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A mansard roof on the Château de Dampierre, by Jules Hardouin-Mansart, great-nephew of François Mansart. A mansard or mansard roof (also called French roof or curb roof) is a multi-sided gambrel-style hip roof characterised by two slopes on each of its sides, with the lower slope at a steeper angle than the upper, and often punctured by dormer windows.
For most Second Empire buildings, the mansard roof is the primary stylistic feature and the most commonly recognised link to the style's French roots. A secondary feature is the use of pavilions , a segment of the facade that is differentiated from surrounding segments by a change in height, stylistic features, or roof design and are typically ...
The house is a 2 + 1 ⁄ 2-story, brick Second Empire-style mansion with a Mansard roof. [20] The symmetrical façade is divided into five sections, with projecting central and corner pavilions, and an octagonal tower that extends a half-story above the cornice line of the main block of the house. [21]
But the most striking feature borrowed from this period is the steep, boxy mansard roof. You can recognize a mansard roof by its trapezoid shape. Unlike a triangular gable, a mansard roof is almost vertical until the very top, when it abruptly flattens. This singular roofline creates a sense of majesty, and also allows more usable living space ...
Generations of the Davenport family, and other owners after them made further changes to the house, so that the original structure built by Antoine Lispenard and Joseph Rodman is largely invisible. In the 1860s, the original roof was replaced by a modified mansard, topped by a cupola.
A traditional French feature was the high sloping mansard roof and the complex roofline. Like the Villa Medici in Rome, the palace was surrounded by a large garden and fountains. The interior design was also innovative; the pavilions around the main block contained the apartments, allowing a greater flexibility and functionality of the interior ...
Neo-Mansard, Faux Mansard, False Mansard, Fake Mansard: Common in the 1960s and 70s in the U.S., these roofs often lack the double slope of the Mansard roof and are often steeply sloped walls with a flat roof. Unlike the Second Empire, where upper story windows were contained within dormers, Neo-Mansard roofs have window openings cut through ...
In 1821, the Spanish coat of arms was removed from the façade pediment and replaced with the extant American eagle with cannonballs by the Italian sculptor Pietro Cardelli and the third floor with mansard roof was later added in 1847, in the French style.
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