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Gibson Maestro FZ-1 Fuzz-tone. The Maestro FZ-1 Fuzz-Tone was the first widely marketed fuzz distortion guitar and bass effect. Introduced in 1962, it achieved widespread popularity in 1965 after the Rolling Stones guitarist Keith Richards prominent use of the FZ-1 on the group's hit, "Satisfaction".
The Fuzz Face is an effects pedal for electric guitar, used also by some electric bass players. It is designed to produce a distorted sound referred to as "fuzz", originally achieved through accident such as broken electrical components or damaged speakers.
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.
Roger Mayer is an electrical engineer who developed several electric guitar effects, including the Octavia, a fuzz effects pedal which also doubled signal frequency, with a sound that was not attainable by simply connecting an octave pedal and a fuzz pedal together.
The first units were made in a simple stamped sheet metal box, painted grey, with a blue metal Univox sticker on the top. Around 1970 production was changed to a die-cast metal box, with a large pedal featuring a rubber cover that had the words "Super-Fuzz" embossed on it.
Bill Wyman in one of the earliest uses of this type of guitar played with a growling fuzz bass tone on the 1966 Rolling Stones songs "Under My Thumb," "Flight 505" and "Think" from their album Aftermath. Fuzz bass is a style of playing the electric bass or modifying its signal that produces a buzzy, distorted, overdriven sound, as the name implies.
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