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Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is an oil painting on canvas, with gold leaf, by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer , a Viennese and Jewish banker and sugar producer.
In 1912, Bloch-Bauer again sat for Klimt for a portrait, which became the Portrait of Adele Bloch-Bauer II. [6] In sitting for Klimt twice, she is the only verified person to be painted by the artist twice in full length. [6] Bloch-Bauer became a Viennese socialite, regularly hosting artists and authors in her salon. [7]
The painting was temporarily lent to Neue Galerie New York for the exhibition "Klimt and the Women of Vienna’s Golden Age, 1900–1918", temporarily reuniting it with Portrait I. [4] In the fall of 2014, Adele Bloch-Bauer II was given as a special long-term loan to the Museum of Modern Art in New York City. [5]
The painting Portrait of Adele Bloch-Bauer I (1907) was sold to cosmetics heir Ronald Lauder for $135 million, at the time the highest sum ever paid for a painting. [17] Since July 13, 2006, the painting has been on public display in the Neue Galerie in New York City, which was established by Lauder in 2001. The four additional works by Klimt ...
The film is based on the true story of Maria Altmann, an elderly Jewish refugee living in Cheviot Hills, Los Angeles, who, together with her young lawyer, Randy Schoenberg, fought the government of Austria for almost a decade to reclaim Gustav Klimt's iconic painting of her aunt Adele Bloch-Bauer, Portrait of Adele Bloch-Bauer I, which was ...
The paintings included Portrait of Adele Bloch-Bauer I, the portrait of Altmann's aunt, Adele Bloch-Bauer, which had been renamed the Woman in Gold. Stealing Klimt recounts Altmann's youth in early 20th century Vienna, her escape from the Nazis and her struggle to recover the five paintings.
The Bauers returned to Raleigh fearing their arrest or worse. The same N&O that celebrated Rachel’s business achievements now questioned her legal status, and a letter to the editor in 1895 raged:
Semeya d'Adele Bloch-Bauer I; Usage on ca.wikipedia.org Pa d'or; La dama d'or; Usage on da.wikipedia.org Portræt af Adele Bloch-Bauer I; Usage on en.wikibooks.org Art History/20th Century; Art History/Printable version; Usage on eu.wikipedia.org Gustav Klimt; Usage on fr.wikipedia.org Gustav Klimt; Portrait d'Adele Bloch-Bauer I
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