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It tells the story of Shakespeare's life with a mixture of fact and fiction, the latter including an affair with a black prostitute named Fatimah, who inspires the Dark Lady of the Sonnets. The title refers to the first line of Sonnet 130, "My mistress' eyes are nothing like the sun", in which Shakespeare describes his love for a dark-haired woman.
Sonnet 20 is one of the best-known of 154 sonnets written by the English playwright and poet William Shakespeare.Part of the Fair Youth sequence (which comprises sonnets 1-126), the subject of the sonnet is widely interpreted as being male, thereby raising questions about the sexuality of its author.
The Chandos portrait of William Shakespeare, held in the National Portrait Gallery. William Shakespeare's sexuality has been the subject of frequent debates.It is known from public records that he married Anne Hathaway and had three children with her; scholars have examined their relationship through documents, and particularly through the bequests to her in his will.
Shakespeare on the other hand shared a reciprocal love with both his lovers; the objects of his love were “articulate, active partners.” [20] Shakespeare's sonnets are divided between his two lovers: sonnets 1–126 for a male, and sonnets 127–152 for a female; the first to a fair youth, and the second to a dark lady. Petrarch's sonnets ...
Title page of the first quarto (1593). Venus and Adonis is a narrative poem by William Shakespeare published in 1593. It is probably Shakespeare's first publication. The poem tells the story of Venus, the goddess of Love; of her unrequited love; and of her attempted seduction of Adonis, an extremely handsome young man, who would rather go hunting.
[18] In Shakespeare's Sonnets: The Problems Solved, A. L. Rowse notes that Sonnet 138 shows the "uncompromising realism with which he [Shakespeare] describes it all: it has been said -- rightly-- that there is no woman like Shakespeare's in all the sonnet-literature of the Renaissance. Most of them are abstractions or wraiths; this one is of ...
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These examples give credence to Peguiney's argument of a calculated attempt to invoke the youth's mourning, as he writes in his essay Sonnets 71–74, "The 'if' clauses at lines 5 and 9 are cunning invitations to future readings of the verse, and how impossible it would be for 'you [to] read this [handwritten] line' and 'remember not / The hand ...