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Leitmotif associated with Siegfried's horn call in Richard Wagner's 1876 opera, Siegfried. A leitmotif or Leitmotiv [1] (/ ˌ l aɪ t m oʊ ˈ t iː f /) is a "short, recurring musical phrase" [2] associated with a particular person, place, or idea.
This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources. Concept albums have been produced by bands and solo artists across all musical genres. In popular music, a concept album is an album that is "unified by a theme, which can be instrumental, compositional, narrative, or lyrical." The following ...
"The smallest structural unit possessing thematic identity". [1] Grove and Larousse [ 6 ] also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove adding that it "is most often thought of in melodic terms, and it is this aspect of the motif that is connoted by the term 'figure'."
[155] The music and sound effects are also used for comic effect in the films: the laboratory of Hugo Drax is opened by touchtones that play the tune of Close Encounters of the Third Kind, [155] whilst when Bond and Anya are seen walking across the desert in The Spy Who Loved Me, the theme from Lawrence of Arabia is heard.
Amazon acquired the global television rights for J. R. R. Tolkien's The Lord of the Rings (1954–55) in November 2017. The company's streaming service, Prime Video, gave a multi-season commitment to a series based on the novel and its appendices, to be produced by Amazon Studios in association with New Line Cinema and in consultation with the Tolkien Estate. [1]
[47] [1]: 29 In his music, Steiner relied heavily on leitmotifs. He would also quote pre-existing, recognizable melodies in his scores, such as national anthems. Steiner was known and often criticized for his use of Mickey Mousing or "catching the action". This technique is characterized by the precise matching of music with the actions or ...
Film music historian Timothy Schuerer wrote, "The elements of post (late) romantic music that had greatest impact on scoring are its lush sound, expanded harmonic language, chromaticism, use of program music and use of Leitmotifs. Hollywood composers found the post-romantic idiom compatible with their efforts in scoring film". [48]
The first half of the track is played when Batman and Gordon discuss on the rooftop before the SWAT unit storms the building; the second half (slightly edited in the movie) is played when Batman fights the SWAT unit in order to save the hostages dressed as clowns. The title comes from a Joker's line in the hospital. 9 "I Am the Batman" 1:59