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Compression is used extensively in broadcasting to boost the perceived volume of sound while reducing the dynamic range of source audio. To avoid overmodulation, broadcasters in most countries have legal limits on instantaneous peak volume they may broadcast. Normally these limits are met by permanently inserted compression hardware in the on ...
The MXR Dyna Comp was first produced in the 1970s and became "a Nashville standard". [1] It is frequently copied by other builders and hobbyists. [1] MXR also produces a 'vintage' Dyna Comp, with the 1970s "script" logo, and an updated version, the Super Comp, which has an "Attack" control that determines its "bite-/squash ratio".
AIMP is a freeware audio player for Windows and Android, originally developed by Russian developer Artem Izmaylov (Russian: Артём Измайлов, romanized: Artyom Izmajlov). [ 1 ] [ 3 ] It supports a variety of audio codecs , and includes tools to convert audio files and edit their metadata.
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Many treble boosters made in the 1960s were designed to not boost the signal much. Vox even decreased the output of the American made version of their treble booster because they were afraid that the signal would overload the amplifier's input stage. [1] Today, overdriving the input is considered one of the key features of a treble booster.
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It had the ability to both amplify (boost) and attenuate (cut), unlike the earlier presence control. [6] In a 3-way loudspeaker system, with tweeter, woofer, and mid-range speaker, a presence control is simply a volume control for the mid-range speaker. [7]
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