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  2. LP record - Wikipedia

    en.wikipedia.org/wiki/LP_record

    The LP (from long playing [2] or long play) is an analog sound storage medium, specifically a phonograph record format characterized by: a speed of 33 + 1 ⁄ 3 rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk.

  3. Rega Planar 3 - Wikipedia

    en.wikipedia.org/wiki/Rega_Planar_3

    The Rega Planar 3 turntable, shown here without its felt mat. The RB300 arm fitted has a non-standard counterweight. The Rega Planar 3, together with its successors, the P3 and RP3, is a well-known budget audiophile turntable by British hi-fi manufacturer, Rega Research available since 1977.

  4. Magnetic cartridge - Wikipedia

    en.wikipedia.org/wiki/Magnetic_cartridge

    An Audio Technica AT-F3 moving coil phono cartridge. A magnetic cartridge, more commonly called a phonograph cartridge or phono cartridge or (colloquially) a pickup, is an electromechanical transducer that is used to play phonograph records on a turntable.

  5. Stanton Magnetics - Wikipedia

    en.wikipedia.org/wiki/Stanton_Magnetics

    Stanton DJ turntable T62. Stanton produces a range of turntables for DJs. Some direct-drive models include features such as high torque motor (up to 4.5 kgf·cm), reversible platter rotation direction, line level outputs and audio signal processing. The Stanton 500 series is the most popular and enduring line of Stanton magnetic cartridges.

  6. 45 rpm adapter - Wikipedia

    en.wikipedia.org/wiki/45_rpm_adapter

    A plastic 45 rpm adapter that inserts into the large spindle hole of a 45 rpm record. A 45 rpm adapter (also known as a 45 rpm record insert, 45 rpm spindle adapter, spider, or 7-inch adapter in reference the usual size of a 45 rpm record) is a small plastic or metal insert that goes in the middle of a 45-rpm record so it can be played on the standard size spindle of a turntable.

  7. Linn Sondek LP12 - Wikipedia

    en.wikipedia.org/wiki/Linn_Sondek_LP12

    Linn presented an important challenge to that by claiming that the source (i.e. the turntable) was the most important part of the system. [1] Ivor Tiefenbrun has talked about how Sondek derives from the term “sound deck” to emphasise the revolutionary concept that the turntable, the “deck”, is responsible for the sound quality. [9]

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