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After the period of Iconoclasm was over, respected veneration of icons spread to Serbia, Bulgaria, and to distant Russia. Depictions of icons which bear the image of God the Father and the Holy Spirit were forbidden in the Orthodox Church , unless they were depicted in the context of the Revelation or the Apocalypse of Saint John , where God ...
Iconoclasm (from Greek: εἰκών, eikṓn, 'figure, icon' + κλάω, kláō, 'to break') [i] is the social belief in the importance of the destruction of icons and other images or monuments, most frequently for religious or political reasons.
Byzantine Iconoclasm, Chludov Psalter, 9th century. [10]Christian worship by the sixth century had developed a clear belief in the intercession of saints. This belief was also influenced by a concept of hierarchy of sanctity, with the Trinity at its pinnacle, followed by the Virgin Mary, referred to in Greek as the Theotokos ("birth-giver of God") or Meter Theou ("Mother of God"), the saints ...
A joint Lutheran–Orthodox statement made in the 7th Plenary of the Lutheran–Orthodox Joint Commission, in July 1993 in Helsinki, reaffirmed the ecumenical council decisions on the nature of Christ and the veneration of images: 7. As Lutherans and Orthodox we affirm that the teachings of the ecumenical councils are authoritative for our ...
Religious images or icons were made in Byzantine art in many different media: mosaics, paintings, small statues and illuminated manuscripts. [1] Monasteries produced many of the illuminated manuscripts devoted to religious works using the illustrations to highlight specific parts of text, a saints' martyrdom for example, while others were used ...
Literary mentions of Christian images greatly increase, in the accounts of pilgrims to the Holy Land, in works of history, and in popular accounts of the lives of saints; at the same time some of these begin to mention acts of iconoclasm against images. The legendary nature of much of the last two types of material is clear, but the stories ...
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Despite the teaching about icons defined at the Seventh Ecumenical Council in 787, the iconoclasts began to trouble the Church again. After the death of the last iconoclast emperor, Theophilos, his young son Michael III, with his mother the regent Theodora, and Patriarch Methodios, summoned the Synod of Constantinople in 843 to bring peace to the Church.