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Rogers v. Koons, 960 F.2d 301 (2d Cir. 1992), [1] is a leading U.S. court case on copyright, dealing with the fair use defense for parody. The United States Court of Appeals for the Second Circuit found that an artist copying a photograph could be liable for infringement when there was no clear need to imitate the photograph for parody.
Campbell v. Acuff-Rose Music, Inc., 510 U.S. 569 (1994), was a United States Supreme Court copyright law case that established that a commercial parody can qualify as fair use. [1] This case established that the fact that money is made by a work does not make it impossible for fair use to apply; it is merely one of the components of a fair use ...
Download as PDF; Printable version; ... Commercial parody can be fair use. ... so there was a strong argument for the defense. Moreover, the lower courts declined to ...
The court addressed Penguin's fair use defense under parody by analyzing the four factor test in 17 U.S.C. § 107 and concluded that the District Court's ruling against fair use was not erroneous. For the first factor analyzing the purpose and commercial use of the work, the court determined it to be against fair use based on the commercial use ...
Oral argument took place on March 22, 2023. [4] The court issued its unanimous ruling on June 8, 2023. The opinion, written by Justice Elena Kagan, dismissed the arguments over the Rogers test, and instead found for Jack Daniel's as VIP was using the parody of Jack Daniel's trademark as its own trademark, a violation of trademark law. [5]
Lastly, Restani addressed BGA's argument that DK could not claim fair use for images it made a good-faith effort to properly license:"[A] publisher's willingness to pay license fees for reproduction of images does not establish that the publisher may not, in the alternative, make fair use of those images."
A Supreme Court debate Wednesday over parody and popular commercial brands was dominated by talk of whiskey bottles, dog toys, pornography and poop. The case, Jack Daniel's Properties Inc., v. VIP ...
The court held that the Moscow on the Hudson poster was not a parody because it was not meant to satirize the Steinberg image itself, but merely satirized the same concept of the parochial New Yorker that was parodied by Steinberg's work. Because the copyrighted work was not an object of the parody, the appropriation of the image was not fair use.