Search results
Results from the WOW.Com Content Network
The genre is vibrant and spiritually uplifting. It combines Christian religious themes such as Praise, hymnals, worship, and other Christian themes with traditional Igbo musical/cultural versions or elements. [2] [3] It reflects the fusion of faith, cultural identity, and musical expression within the Igbo Christian community. [4]
Chinyere Udoma (born 1976), is a Nigerian gospel musician, singer and songwriter best known for singing Igbo gospel music with her angelic voice. She first gained her first recognized hit, “Agu N’eche Mba” in 2000.
A typical udu. Igbo music (Igbo: Egwu nkwa ndi Igbo) is the music of the Igbo people, who are indigenous to the southeastern part of Nigeria.The Igbo traditionally rely heavily on percussion instruments such as the drum and the gong, which are popular because of their innate ability to provide a diverse array of tempo, sound, and pitch. [1]
Igbo highlife is a contemporary musical genre that combines highlife and Igbo traditional music. The genre is primarily guitar-based music, with a rare characteristic blend of horns and vocal rhythms. [1] [2] Igbo highlife lyrics are sung mostly in Igbo with occasional infusion of Pidgin English. [3]
Okoye was also known as a practitioner of traditional Igbo religion and magic, Odinala. [5] An article by a theologian contrasted him in this respect with Oliver de Coque, noting Okoye's praise for "herbalists and those deemed capable of making contact with and manipulating the world of the spirits".
Nwamba music has been dubbed as “Ogene Cultural Praise”. He sings in Igbo language, and sings in English when recreating mainstream music. His music deploys Igbo instruments such as the Slit drum, ogene, ichaka, ekwe, and Ọjà which is known in English language as flute. His lyrics are centered in promotion of his culture, inheritance and ...
Despite being classed as part of the Igbo ethnic group, the people of Oguta maintain a distinct identity. Their dialect, customs and traditions set them apart with a local and diaspora population ...
His 2020 album, “Cultural Praise,” in collaboration with Okwesili Eze Group, is a perfect example of his ability to evolve while staying connected to his roots. [12] The album was a massive hit, especially among Igbo communities, and it showcased Kcee’s ability to infuse gospel and cultural praise into modern sounds.