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Iambic pentameter (/ aɪ ˌ æ m b ɪ k p ɛ n ˈ t æ m ɪ t ər / eye-AM-bik pen-TAM-it-ər) is a type of metric line used in traditional English poetry and verse drama.The term describes the rhythm, or meter, established by the words in each line.
The Spenserian stanza is a fixed verse form invented by Edmund Spenser for his epic poem The Faerie Queene (1590–96). Each stanza contains nine lines in total: eight lines in iambic pentameter followed by a single 'alexandrine' line in iambic hexameter.
Also known as “un-rhymed iambic pentameter", blank verse is an unrhymed verse written in iambic pentameter. In poetry, it has a consistent meter with 10 syllables per line ( pentameter ). Unstressed syllables are followed by stressed syllables, five of which are stressed but do not rhyme.
Heroic couplet: written in iambic pentameter. Poulter's measure: couplets in which a 12-syllable iambic line rhymes with a 14-syllable iambic line. [1] Envoi (or envoy): the brief stanza that ends French poetic forms such as the ballade or sestina. Ghazal; Octave: an 8-line stanza or poem.
Shakespeare's standard poetic form was blank verse, composed in iambic pentameter with clever use of puns and imagery. In practice, this meant that his verse was usually unrhymed and consisted of ten syllables to a line, spoken with a stress on every second syllable. The blank verse of his early plays is quite different from that of his later ones.
In a line of verse that normally employs iambic meter, trochaic substitution describes the replacement of an iamb by a trochee. The following line from John Keats's To Autumn is straightforward iambic pentameter: [2] To swell the gourd, and plump the hazel shells
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The Spenserian stanza varies from iambic pentameter in its final line, which is a line of iambic hexameter, or in other words an English alexandrine. In the seventeenth century, John Milton experimented by extending the seventh line of the rhyme royal stanza itself into an alexandrine in "On the Death of a Fair Infant Dying of a Cough" and for ...
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