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In stereo mode WAV or compressed (MP3) files may be made. A 2 GB card will store 95 hours of speech-quality or 3 hours of CD-quality recording. With device firmware from version 2.0, SDHC cards up to 32 GB in size are supported, storing 16 hours at the highest-quality setting (uncompressed PCM WAV, 24 bit, 96 kHz, stereo). [3]
16 bit 40 ms Yes No Yes: only in MPEG-4 Part 12 container: Yes: only in MPEG-4 Part 12 container: G.721: ADPCM, Lossy: 8 kHz 32 kbit/s 13 bit Yes No No No G.722: sub-band ADPCM, Lossy: 16 kHz 64 kbit/s (comprises 48, 56 or 64 kbit/s audio and 16, 8 or 0 kbit/s auxiliary data) 14 bit 4 ms Yes No No No G.722.1
DV audio [40] Digital media 12- and 16-bit uncompressed PCM ITU-T Recommendation G.711 [41] Compression standard for telephony: 8-bit PCM with companding [C] NICAM-1, NICAM-2 and NICAM-3 [42] Compression standards for broadcasting: 10-, 11- and 10-bit PCM respectively, with companding [D] Ardour: DAW by Paul Davis and the Ardour Community 32 ...
With the exception of the Sony PCM-3348HR and Studer D827, all of the DASH recorders have 16-bit resolution with a 44.1 kHz or 48 kHz sampling rate, although it is possible to use an outboard analog-to-digital converter of up to 20-bit resolution. The PCM-3348HR and D827 are capable of 24-bit 48 kHz operation at 45 ips, and are the only ...
The DVD-Audio format uses standard, linear PCM at variable sampling rates and bit depths, which at the very least match and usually greatly surpass those of standard CD audio (16 bits, 44.1 kHz). In the popular Hi-Fi press, it had been suggested that linear PCM "creates [a] stress reaction in people", and that DSD "is the only digital recording ...
A Sony PCM-501ES EIAJ LPCM Adapter on a Sony SL-HF360 VTR. The Sony PCM-1600 was the first commercial video-based 16-bit recorder. The 1600 (and its later versions, the 1610 and 1630) used special U-matic-format VCRs also furnished by Sony for transports, such as the BVU-200B (the first model of VCR optimized to work, and sold with, the PCM-1600 in 1979), [2] BVU-800DA, VO-5630DA, and the ...
ITU-T G.711 PCM A-Law audio 64 kbit/s RFC 3551 9 G722 audio 1 8000 [note 2] any 20 ITU-T G.722 audio 64 kbit/s RFC 3551 - Page 14: 10 L16 audio 2 44100 any 20 Linear PCM 16-bit Stereo audio 1411.2 kbit/s, [2] [3] [4] uncompressed RFC 3551, Page 27: 11 L16 audio 1 44100 any 20 Linear PCM 16-bit audio 705.6 kbit/s, uncompressed RFC 3551, Page 27: ...
They manufactured a total of 18 digital recorders, of which seven were sold and the rest leased out. [2] Although most recordings were of classical music, the range included country, rock, jazz, pop, and avant-garde. The first US live digital recording was made in 1976 by Soundstream's prototype 37 kHz, 16-bit, two channel recorder. [3]
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