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Nobody Wins" uses the melody of "J'Veux d'la Tendresse" by Janic Prévost, which John had heard while in France in the summer of 1980. [18] Its lyrics were translated and altered by Osborne, who would later name it as his favorite of his collaborations between him and John. [18] "Carla" and "Etude" were originally two separate pieces before ...
[1] [2] [3] He had his first big hit in France in 1972 with "La Tendresse", a song originally written by Patricia Carli for Mireille Mathieu, and made his first appearance at the Olympia that year, supporting Matthieu.
Redis à ma tendresse les serments d'autrefois, ces serments que j'aimais! 𝄆 Ah! réponds à ma tendresse! Verse-moi, verse-moi l'ivresse! 𝄇 Dalila! Dalila! Je t'aime! Ainsi qu'on voit des blés les épis onduler sous la brise légère, ainsi frémit mon cœur, prêt à se consoler, à ta voix qui m'est chère! La flèche est moins rapide
The song was John's first single to be produced by Chris Thomas, who would go on to collaborate with John frequently throughout the 1980s and 1990s. The music for "Nobody Wins" is derived from a song entitled "J'Veux d'la Tendresse", composed by Jean Paul Dréau and performed by Janic Prévost, which John had heard while in France in the summer ...
It included songs like "Docteur Tendresse", "La voilà notre armée" (to the lyrics by Allain Leprest). In 2008 Lavoie accepted an invitation to participate in a project that united music with the poetry of Gaston Miron , Quebec's 20th-century poet : the album Douze homme rapaillés , a collection of musical settings of Miron's poems by Gilles ...
"Two Fingers of Whiskey" (by Elton John and Jack White) In this clip from the PBS/BBC documentary, The American Epic Sessions, *Elton, along with White, are performing one of the songs written for the film. Music from The American Epic Sessions: Original Motion Picture Soundtrack: Elton John & Bernie Taupin Bernard MacMahon: BBC Music official ...
Tendresse. Andante. "Tendresse", written in 1896, was originally dedicated to Adela Maddison, wife of a music publisher. [3] Like "Le Jardin de Dolly", this piece is lyrical, but is in a more modern style, making use of chromaticism of the kind Fauré later deployed in his Nocturnes. [5] Le pas espagnol. Allegro.
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