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Collagraphy (sometimes spelled collography) is a printmaking process in which materials are glued or sealed to a rigid substrate (such as paperboard or wood) to create a plate. [1] Once inked, the plate becomes a tool for imprinting the design onto paper or another medium. The resulting print is termed a collagraph.
Glen Alps (1914-1996) was a printmaker and educator who is credited with having developed the collagraph. [1] A collagraph is a print whose plate is a board or other substrate onto which textured materials are glued. The plate may be inked for printing in either the intaglio or the relief manner and then printed onto paper.
Carborundum printmaking. A collagraph printed by re-using materials from the atelier: tarlatan, carborundum, sandpaper, and thread. Carborundum mezzotint is a printmaking technique in which the image is created by adding light passages to a dark field. It is a relatively new process invented in the US during the 1930s by Hugh Mesibov, Michael J ...
Gill Saunders and Rosie Miles Prints Now: Directions and Definitions Victoria and Albert Museum (May 1, 2006) ISBN 1-85177-480-7; Antony Griffiths, Prints and Printmaking, British Museum Press, 2nd ed, 1996 ISBN 0-7141-2608-X; Linda Hults The Print in the Western World: An Introductory History. Madison: University of Wisconsin Press, 1996.
Shin-hanga. Hiroshi Yoshida (吉田 博, Yoshida Hiroshi, September 19, 1876 – April 5, 1950) was a 20th-century Japanese painter and woodblock printmaker. Along with Hasui Kawase, he is regarded as one of the greatest artists of the shin-hanga style, and is noted especially for his landscape prints. Yoshida made numerous trips around the ...
The Miserere (1916–1927) is one of the most original and creative series of prints of the 20th century, in which the artist combined different techniques: the drawing was transferred to copper plates by means of heliogravure, on which Rouault worked with acid and etching tools, achieving unique tones and values in the history of printmaking. [6]
Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. [1] Pottery decorated using this technique is known as transferware or transfer ware.
Collotype is a gelatin -based photographic printing process invented by Alphonse Poitevin in 1855 to print images in a wide variety of tones without the need for halftone screens. [1][2] The majority of collotypes were produced between the 1870s and 1920s. [3] It was the first form of photolithography. [4]
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