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MIDI. The Roland Zenology was initially released in May 2020 as a rackmount-style softsynth built on the ZEN-Core engine which powers the Jupiter-X and Fantom. [1] It has been expanded to provide full control panels for specific 'Model Expansions'. [2] It initially came with 3,597 presets, expandable through many themed preset packs. [3]
In June 2020, Roland released Zenology plugins for Roland synths, which includes an SH-101 emulator. [24] [25] Roland claims it is an ultra-detailed replica. [26] Other software emulators include Togu Audio Line TAL-Bassline-101, D16 Group LuSH-101, Togu Audio Line TAL-Bassline (a free limited version of the other Togu app)., [27] and Softube ...
The Juno-106 is a polyphonic synthesizer with six voices. It is an analog synthesizer but with digitally controlled oscillators and chorus effects. [2][3] Whereas its predecessor, the Juno-60, has 56 patches, the Juno-106 has 128. It introduced Roland's performance lever for pitch bends and modulation, which became a standard feature of Roland ...
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The Roland JV-1080 (a.k.a. Super JV, Super JV-1080, or simply 1080) is a sample-based synthesizer / sound module in the form of a 2U rack. The JV-1080's synthesizer engine was also used in Roland's XP-50 workstation (1995). Due to its library of high-quality sounds and multi-timbral capabilities, it became a mainstay with film composers.
Keyboard. 37 keys. Left-hand control. Pitch Bend/Modulation lever, D-Beam Controller. External control. Pedal jack (TRS), MIDI (In, Out), USB, EXT IN (Stereo miniature phone type), DC IN. The SH-01 Gaia, is a sixty four voice [4] polyphonic virtual analogue synthesizer introduced by Roland Corporation in 2010.
X. Roland XP-50. Roland XP-30. Roland XP-80. Categories: Japanese musical instruments. Synthesizers by manufacturer. Hidden category: Commons category link is on Wikidata.
Levitating (song) " Levitating " is a song by English and Albanian singer Dua Lipa from her second studio album, Future Nostalgia (2020). The song was written by Lipa, Clarence Coffee Jr., Sarah Hudson, and Koz, who produced the song with Stuart Price, and stemmed from a Roland VP-330 synthesizer sample played by Koz.