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  2. Twelve-bar blues - Wikipedia

    en.wikipedia.org/wiki/Twelve-bar_blues

    The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...

  3. Bird changes - Wikipedia

    en.wikipedia.org/wiki/Bird_changes

    Bird changes. The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's "Blues ...

  4. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1] It resembles the Roman numeral [2] and figured bass systems ...

  5. Three-chord song - Wikipedia

    en.wikipedia.org/wiki/Three-chord_song

    A three-chord song is a song whose music is built around three chords that are played in a certain sequence. A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these ...

  6. Blues scale - Wikipedia

    en.wikipedia.org/wiki/Blues_scale

    At its most basic, a single version of this blues scale is commonly used over all changes (or chords) in a twelve-bar blues progression. [7] Likewise, in contemporary jazz theory, its use is commonly based upon the key rather than the individual chord. [2] Greenblatt defines two blues scales, the major and the minor.

  7. Sixteen-bar blues - Wikipedia

    en.wikipedia.org/wiki/Sixteen-bar_blues

    Here, the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are doubled in length, becoming the sixteen-bar progression's 9th–10th, 11th–12th, and 13th–16th bars, [citation needed]

  8. V–IV–I turnaround - Wikipedia

    en.wikipedia.org/wiki/V–IV–I_turnaround

    In music, the V–IV–I turnaround, or blues turnaround, [1] is one of several cadential patterns traditionally found in the twelve-bar blues, and commonly found in rock and roll. [2] The cadence moves from the tonic to dominant, to subdominant, and back to the tonic. "In a blues in A, the turnaround will consist of the chords E 7, D 7, A 7, E ...

  9. Blues - Wikipedia

    en.wikipedia.org/wiki/Blues

    Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and ...