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  2. Sixteen-bar blues - Wikipedia

    en.wikipedia.org/wiki/Sixteen-bar_blues

    The sixteen-bar blues can be a variation on the standard twelve-bar blues or on the less common eight-bar blues. Sixteen-bar blues is also used commonly in ragtime music.

  3. Twelve-bar blues - Wikipedia

    en.wikipedia.org/wiki/Twelve-bar_blues

    The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...

  4. Hoochie Coochie Man - Wikipedia

    en.wikipedia.org/wiki/Hoochie_Coochie_Man

    "Hoochie Coochie Man" follows a sixteen-bar blues progression, which is an expansion of the well-known twelve-bar blues pattern. [35] The first four bars are doubled in length so the harmony remains on the tonic for eight bars or one-half of the sixteen bar progression. [38]

  5. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV : C–G–Am–F. V ...

  6. Eight-bar blues - Wikipedia

    en.wikipedia.org/wiki/Eight-bar_blues

    In music, an eight-bar blues is a common blues chord progression. Music writers have described it as "the second most common blues form" [1] being "common to folk, rock, and jazz forms of the blues". [2] It is often notated in 4. 8 time with eight bars to the verse.

  7. Bird changes - Wikipedia

    en.wikipedia.org/wiki/Bird_changes

    Bird changes. The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's "Blues ...

  8. You Can't Judge a Book by the Cover - Wikipedia

    en.wikipedia.org/wiki/You_Can't_Judge_a_Book_by...

    "You Can't Judge a Book by the Cover" is based on a sixteen-bar blues structure that "boasts a beat that's utterly compulsive and primordial, but closer to a way-speeded up walking rhythm than to the standard Diddley pattern", according to Richie Unterberger in a song review. [3]

  9. Category:Sixteen bar sections - Wikipedia

    en.wikipedia.org/wiki/Category:Sixteen_bar_sections

    Sixteen-bar blues; Stolen Moments (Oliver Nelson song) Y. You Can't Judge a Book by the Cover This page was last edited on 20 September 2015, at 05:03 (UTC). Text is ...