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  2. Tian-tsui - Wikipedia

    en.wikipedia.org/wiki/Tian-tsui

    Antique Tian-tsui (Kingfisher feather) hair pins. 19th century. Tian-tsui (Chinese traditional: 點翠, Chinese simplified: 点翠, pinyin: diǎncuì, "dotting with kingfishers") is a style of Chinese art featuring kingfisher feathers. For 2,000 years, the Chinese have been using the iridescent blue feathers of kingfisher birds as an inlay for ...

  3. Chinese hairpin - Wikipedia

    en.wikipedia.org/wiki/Chinese_hairpin

    The Tiaoxin (Chinese: 挑心); pinyin: Tiāo xīn) is a Chinese hairpin worn by women in the Ming dynasty in their hair bun; the upper part of the hairpin was usually in the shape of a Buddhist statue, an immortal, a Sanskrit word, or a phoenix. [11] The Chinese character shou (寿, "longevity") could also be used to decorate the hairpin. [11] [22]

  4. Cloisonné - Wikipedia

    en.wikipedia.org/wiki/Cloisonné

    Cloisonné. Pectoral of Senusret II, from his daughter's grave, using shaped stones rather than enamel. Cloisonné inlays on gold of carnelian, feldspar, garnet, turquoise, lapis lazuli, 1880s BC. Chinese Ming Dynasty cloisonné enamel bowl, using nine colours of enamel. Cloisonné (French: [klwazɔne]) is an ancient technique for decorating ...

  5. Buyao - Wikipedia

    en.wikipedia.org/wiki/Buyao

    Buyao (simplified Chinese: 步摇; traditional Chinese: 步搖; pinyin: Bùyáo; lit. 'step-shake') is a type of Chinese women's hair ornament. [1] It is a type of Chinese hairpin which was often times decorated with carved designs and jewelries that dangles when the wearer walks, hence the name, which literally means "shake as you go".

  6. List of hanfu headwear - Wikipedia

    en.wikipedia.org/wiki/List_of_Hanfu_headwear

    Modeled after the Zhongjin guan, but worn by the scholar-gentry. Named after the "cloud" shapes formed on the sides. Adult. Ming. Zaoli jin (皁隸巾) Named after and worn by yamen runners. Due to the low status and the headwear not able to cover the forehead, it is also nicknamed "faceless guan " (無顏之冠) [44] Adult.

  7. Plique-à-jour - Wikipedia

    en.wikipedia.org/wiki/Plique-à-jour

    By Namikawa Sōsuke, Meiji era, c. 1900. Plique-à-jour (French for "letting in daylight") is a vitreous enamelling technique where the enamel is applied in cells, similar to cloisonné, but with no backing in the final product, so light can shine through the transparent or translucent enamel. It is in effect a miniature version of stained ...

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