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  2. Sixteen-bar blues - Wikipedia

    en.wikipedia.org/wiki/Sixteen-bar_blues

    Here, the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are doubled in length, becoming the sixteen-bar progression's 9th–10th, 11th–12th, and 13th–16th bars, [citation needed]

  3. Twelve-bar blues - Wikipedia

    en.wikipedia.org/wiki/Twelve-bar_blues

    The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...

  4. Eight-bar blues - Wikipedia

    en.wikipedia.org/wiki/Eight-bar_blues

    Eight-bar blues progressions have more variations than the more rigidly defined twelve bar format. The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues." [1]

  5. Move It On Over (song) - Wikipedia

    en.wikipedia.org/wiki/Move_It_On_Over_(song)

    [4] [5] Though many claim the song "Rock Around the Clock," released in 1954 by Bill Haley & His Comets, was the first rock and roll single, it resembles "Move it On Over", as both feature the same twelve-bar blues arrangement with a melody starting with three repetitions of an ascending arpeggio of the tonic chord, which Williams had partially ...

  6. West End Blues - Wikipedia

    en.wikipedia.org/wiki/West_End_Blues

    By far the best known recording of "West End Blues" is the 3-minute-plus, 78 rpm recording made by Louis Armstrong and His Hot Five on June 28, 1928. Gunther Schuller devoted page after page to it in his book Early Jazz, writing, “The clarion call of “West End Blues’ served notice that jazz had the potential capacity to compete with the highest order of previously known musical ...

  7. Saint Louis Blues (song) - Wikipedia

    en.wikipedia.org/wiki/Saint_Louis_Blues_(song)

    W. C. Handy. " The Saint Louis Blues " (or " St. Louis Blues ") is a popular American song composed by W. C. Handy in the blues style and published in September 1914. It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire. Benny Goodman, Louis Armstrong, Cab Calloway, Bing ...

  8. V–IV–I turnaround - Wikipedia

    en.wikipedia.org/wiki/V–IV–I_turnaround

    In music, the V–IV–I turnaround, or blues turnaround, [1] is one of several cadential patterns traditionally found in the twelve-bar blues, and commonly found in rock and roll. [2] The cadence moves from the tonic to dominant, to subdominant, and back to the tonic. "In a blues in A, the turnaround will consist of the chords E 7, D 7, A 7, E ...

  9. Twelve Bar Blues (novel) - Wikipedia

    en.wikipedia.org/wiki/Twelve_Bar_Blues_(novel)

    0-670-88791-9. OCLC. 49394577. Twelve Bar Blues is a 2001 novel by Patrick Neate, [1] [2] and the winner of that year's Whitbread novel award. The story is essentially about two people who share a common history - Fortis 'Lick' Holden, a cornet player in early 20th Century New Orleans, and Sylvia Di Napoli, a retired prostitute living in modern ...