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Jessie (voiced by Joan Cusack) [50] [51] is a cowgirl doll, and part of the gang. In Toy Story 2, Jessie is very happy to see Woody at first, but is shocked to learn that he still has an owner in Andy. She is initially hesitant to join Andy's toys due to her past experience with her owner Emily, who put her in a charity box for donations after ...
Jessie is a red-haired, energetic, yodeling cowgirl doll. She is a part of a collectible toy set based on a fictional 1950s cowboy puppet television series named "Woody's Roundup", which consists of Sheriff Woody, Jessie, a prospector named Stinky Pete and Woody's steed Bullseye.
[37] [44] Jessie's sadness is used "as the anchor to keep Woody in place", [51] making him torn between which decision to make upon listening to Jessie's story. [52] Later in the film, Jessie must make a choice of her own to either forsake immortality in favor of being loved by a child once again. [32]
Watch Woody save the day by uniting Jessie with a fan!
Sheriff Woody Pride (or simply Woody) is a fictional pull-string cowboy doll who appears in the Disney–Pixar Toy Story franchise. In the films, Woody is one of the main protagonists, alongside Buzz Lightyear and Jessie. He is primarily voiced by Tom Hanks, who voices him in the Toy Story films, short films, and TV specials.
Klasky-Csupo, Inc. (/ k l æ s k i ˈ tʃ uː p oʊ / KLAS-kee CHOO-poh) is an American animation studio located in Los Angeles, California. [2] It was founded in 1982 by producer Arlene Klasky and her then-husband, Hungarian animator Gábor Csupó [3] (hence the company's name) in a spare room of their apartment and grew to 550 artists, creative workers and staff in an animation facility in ...
Buzz rescues Jessie from the trash, but is crushed by a broken TV. Jessie breaks down in tears over Buzz's "dead" body, only for Buzz to awaken unharmed with his usual personality and memories restored. At the landfill, the toys are pushed onto a conveyor belt. Buzz and Woody rescue Lotso from a shredder and help him reach an emergency stop button.
Fans of these franchises generated creative products like fan art and fan fiction at a time when typical science fiction fandom was focused on critical discussions. The MediaWest convention provided a video room and was instrumental in the emergence of fan vids , or analytic music videos based on a source, in the late 1970s. [ 14 ]