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Two schools of formalist literary criticism developed, Russian formalism, and soon after Anglo-American New Criticism. Formalism was the dominant mode of academic literary study in the US at least from the end of the Second World War through the 1970s, especially as embodied in René Wellek and Austin Warren's Theory of Literature (1948, 1955 ...
Structuralism is an intellectual current and methodological approach, primarily in the social sciences, that interprets elements of human culture by way of their relationship to a broader system. [1]
A characteristic stance of formalist approaches is the primacy of form (like syntax), and the conception of language as a system in isolation from the outer world. An example of this is de Saussure's principle of arbitrariness of sign, according to which there is no intrinsic relationship between a signifier (a word) and the signified (concept ...
Structuralism as a term, however, was not used by Saussure, who called the approach semiology. The term structuralism is derived from sociologist Émile Durkheim's anti-Darwinian modification of Herbert Spencer's organic analogy which draws a parallel between social structures and the organs of an organism which have different functions or ...
Saussure approaches the essence of language from two sides. For the one, he borrows ideas from Steinthal [31] and Durkheim, concluding that language is a 'social fact'. For the other, he creates a theory of language as a system in and for itself which arises from the association of concepts and words or expressions. Thus, language is a dual ...
Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. [1]
Russian formalism was a school of literary theory in Russia from the 1910s to the 1930s. It includes the work of a number of highly influential Russian and Soviet scholars such as Viktor Shklovsky, Yuri Tynianov, Vladimir Propp, Boris Eichenbaum, Roman Jakobson, Boris Tomashevsky, Grigory Gukovsky who revolutionised literary criticism between 1914 and the 1930s by establishing the specificity ...
Propp's approach has been criticized for its excessive formalism (a major critique of the Soviets). One of the most prominent critics of Propp was structuralist Claude Lévi-Strauss , who, in dialogue with Propp, argued for the superiority of the paradigmatic over syntagmatic approach. [ 6 ]