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Kabi Samrata Upendra Bhanja, Odia: [upend̪ɾɔ bʰɔɲd͡ʒɔ] ⓘ) was a 17th-century Odia poet-composer of classical Odissi music. [1] He is most known for his Odissi songs and kabyas written in the Odia language, primarily Baidehisa Bilasa, Labanyabati & Koti Brahmanda Sundari .
AD), [54] Kabi Samrat Upendra Bhanja (born 1670. AD) and Abhimanyu Samantasinhara. Their poetry, especially that of Upendra Bhanja, is characterised by verbal tricks, obscenity and eroticism. Upendra Bhanja ' s works such as Baidehisha Bilasa, Koti Brahmanda Sundari and Labanyabati are landmarks. He was conferred the title "Kabi Samrat" of Odia ...
Awarded Books Published in 1957 and 1958 # Book Author Category of Books 1 Dilip: Upendra Mohanty Verses–Poems: 2 Swarna Jugara Sandhya: Jnanindra Barma Plays–One Act Plays: 3 Agni Parikshya: Bhanja Kishore Patnaik Plays–One Act Plays: 4 Byasa Kabi Fakir Mohan: Natabara Samantaray: Criticism: 5 Veda Manusyakruta ki? Priyabrata Das ...
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Odia children's literature' has a long history. Its roots are in Moukhika Sishu Sahitya, which is a part of the Loka Sahitya meant for children. As its development started after modern education was implemented, Odia children's literature is divided into two categories, Odia Moukhika children's literature and Odia written children's literature.
Gouri Kumar Brahma (20 February 1920 – 29 September 2011) was an academic, literary critic, orator and writer. His works are mainly in Odia and Sanskrit. He was popular for his talks on Jagannath culture and literature of Upendra Bhanja in Odia, English Sanskrit and Hindi. [2]
The Khinjili mandala comprised areas of modern-day Boudh, Phulbani, Nayagarh, Ghumusar, and Sonepur.Its capital was Dhritipura (modern Boudh). [12] Nettabhanja, who ruled over the Dhenkanal-Anugul region and made Nava-angulakapatana his capital, was regarded by R. D. Banerji and R. C. Majumdar as the earliest Bhanja king of the Khinjali mandala line.
Chautisa or Chautisha (Odia: ଚଉତିଶା) is a genre of literary composition in Indian literature.It was popular form of writing in medieval Indian poetry. It is a form of constrained writing where each verse begins with consecutive letters of the alphabet, typically starting with the first consonant.