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The can-can (also spelled cancan as in the original French /kɑ̃kɑ̃/) is a high-energy, physically demanding dance that became a popular music-hall dance in the 1840s, continuing in popularity in French cabaret to this day. [1]
La Goulue (French pronunciation: [la guly], meaning The Glutton), was the stage name of Louise Weber (12 July 1866 – 29 January 1929), a French can-can dancer who was a star of the Moulin Rouge, a popular cabaret in the Pigalle district of Paris, near Montmartre. [1]
French Cancan (also known as Only the French Can) is a 1955 French-Italian musical film written and directed by Jean Renoir and starring Jean Gabin, Francoise Arnoul, and María Félix. It marked Renoir's return to France and to French cinema after an exile that began in 1940.
The Revue Cancan, devised by Doris Haug and Ruggero Angeletti, premiered the same year. Since 1963, following the success of the Frou-Frou revue, Jacki Clérico adopted a tradition of naming revues with titles beginning with the letter F. Throughout these productions, the famed French cancan remained a staple feature: [15] 1963–1965: Frou-Frou
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Jane Avril (9 June 1868 – 17 January 1943) was a French can-can dancer made famous by Henri de Toulouse-Lautrec through his paintings. Extremely thin, "given to jerky movements and sudden contortions", she was nicknamed La Mélinite, after an explosive. [2]
Some of the public health websites that the US government was ordered to restore involving gender and gender identity now carry a warning denying the existence of transgender people.
Le Chahut is an oil painting on canvas measuring 170 by 141 cm (67 x 55 in). Seurat employed a Divisionist style, with pointillist dots of color. The work is dominated by a color scheme that tends toward the red end of the spectrum, of earth tones that draw from a palette of browns, tans, warm grays, and blues, interspersed with not just the primary colors (reds and yellows), nor even with the ...