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Hannah More (2 February 1745 – 7 September 1833) was an English religious writer, philanthropist, poet, and playwright in the circle of Johnson, Reynolds and Garrick, who wrote on moral and religious subjects.
More than half of the official series of tracts were written by Hannah More [5] A further six were perhaps written by her sister Sarah, others by evangelical friends such as the poet William Mason, the philanthropists and campaigners against slavery Zachary Macaulay, John Newton, and Henry Thornton, or else William Gilpin, the artist and writer on the picturesque.
Comprehending Observations on Domestic Habits and Manners, Religion and Morals., is a novel by the British Christian moralist Hannah More. It was followed by Coelebs Married in 1814. The novel focuses on Coelebs—whose name is a Latin word meaning "single, unmarried"—a well-to-do young man who tries to find a wife who can meet the lofty ...
Hannah More called her first encounter with Yearsley positive, saying her writing "excited [her] attention" as it "breathed the genuine spirit of poetry, and [was] rendered still more interesting by a certain natural and strong expression of misery that seemed to fill the head and mind of the author."
Eldred, the main character of the video game Sacrifice; Eldred Jonas, a character from the Stephen King novel Wizard and Glass "Sir Eldred of the Bower, a Legendary Tale", a 17th century poem by Hannah More
The 1619 Project: A New Origin Story is a 2021 anthology of essays and poetry, published by One World (an imprint of Random House) on November 16, 2021. It is a book-length expansion of the essays presented in the 1619 Project issue of The New York Times Magazine in August 2019.
Hannah More, Poems [1] Edward Quillinan, The Sacrifice of Isabel [1] 'Quiz', illustrated by Thomas Rowlandson, The Grand Master, or Adventures of Qui Hi in Hindostan: a hudibrastic poem in eight cantos; J. H. Reynolds, The Naiad, with Other Poems, published anonymously [1]
"The Husband's Message" is an anonymous Old English poem, 53 lines long [1] and found only on folio 123 of the Exeter Book.The poem is cast as the private address of an unknown first-person speaker to a wife, challenging the reader to discover the speaker's identity and the nature of the conversation, the mystery of which is enhanced by a burn-hole at the beginning of the poem.