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Paul Gauguin (1848–1903) was a leading 19th-century Post-Impressionist artist, painter, sculptor, printmaker, ceramist and writer.His bold experimentation with color directly influenced modern art in the 20th century while his expression of the inherent meaning of the subjects in his paintings, under the influence of the cloisonnist style, paved the way to Primitivism and the return to the ...
Pages in category "Paintings by Paul Gauguin" The following 58 pages are in this category, out of 58 total. ... The Siesta (Paul Gauguin) Spirit of the Dead Watching;
Vincent van Gogh, Paul Gauguin (Man in a Red Beret), 1888, Van Gogh Museum, Amsterdam. Gauguin's Martinique paintings were exhibited at his colour merchant Arsène Poitier's gallery. There they were seen and admired by Vincent van Gogh and his art dealer brother Theo, whose firm Goupil & Cie had dealings with Portier. Theo purchased three of ...
Paul Gauguin: letters to his wife and friends. Cleveland, 1949. ASIN B000XJHQ0K; Mathews, Nancy Mowll. Paul Gauguin: an erotic life, 2001. Yale University Press. Maurer, Naomi E. The pursuit of spiritual wisdom: the thought and art of Vincent van Gogh and Paul Gauguin, 1998. Fairleigh Dickinson University Press. Pollock, Griselda.
Family quotes from famous people. 11. “In America, there are two classes of travel—first class and with children.” —Robert Benchley (July 1934) 12. “There is no such thing as fun for the ...
The Bunch of Flowers (1891) by Paul Gauguin. The Bunch of Flowers or Flowers of France (French: Le bouquet de fleurs [lə bukɛ d(ə) flœʁ]; Tahitian: Te tiare farani) [needs IPA] is an oil on canvas painting by Paul Gauguin, from 1891. It is held in the Pushkin Museum in Moscow. It was one of the first in his series of Tahitian works.
Born in France in 1848, Paul Gauguin was an influential Post-Impressionist artist whose work was influential on the Symbolist movement and on all of modern art for many years after his death. An extremely religious person, Gauguin focused most of his work on themes of religion and God.
The title "Nevermore", painted in relatively large capitals in the top left-hand corner, and the presence of the raven is an obvious reference to Edgar Allan Poe's 1845 poem "The Raven", which was well known to Gauguin and recited at his farewell party in 1891. In the poem, a mourning student is visited in his room by a raven who croaks the one ...
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