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Two of the funeral sentences, "Man that is born of a woman" Z. 27 and "In the midst of life we are in death" Z. 17, survive in autograph score. The Music for the Funeral of Queen Mary comprises the March and Canzona Z. 780 [ 1 ] and the funeral sentence " Thou knowest, Lord, the secrets of our hearts " Z. 58C.
The King shall rejoice, verse, with orchestra (1761) for the marriage of George III, 1761; ed. in Recent Researches in the Music of the Baroque Era, viii, 1970; The King shall rejoice, full, with orchestra (1761) for the coronation of George III, 1761; The King shall rejoice, verse, with orchestra (1766) for the Festival of the Sons of the ...
In darkness let me dwell; the ground shall sorrow be, The roof despair, to bar all cheerful light from me; The walls of marble black, that moist'ned still shall weep; My music, hellish jarring sounds, to banish friendly sleep. Thus, wedded to my woes, and bedded in my tomb, O let me living die, till death doth come, till death doth come.
The King Shall Rejoice (HWV 260) is thought to have been composed between 9 September 1727 and 11 October 1727. Taking a text from Psalm 21 (verses 1–3, 5), Handel splits this work into separate sections. The first movement is in D major, on the king's joy in God's power.
Part I begins with the prophecy of the Messiah and his birth, shows the annunciation to the shepherds as a scene from the Gospel of Luke, and reflects the Messiah's deeds on Earth. Part II covers the Passion, death, resurrection, ascension, and the later spreading of the Gospel.
The music reaches a climax after the sixth intonation of alleluia with the lines "Weeping at the grave creates the song: Alleluia. Come, enjoy rewards and crowns I have prepared for you." Alleluia is then sung a seventh time as a coda. Following the example of traditional Byzantine music, a continuous ison [7] or drone underlies the work. [4]
Ihr werdet weinen und heulen (You shall weep and wail), [1] BWV 103, is a cantata by Johann Sebastian Bach, a church cantata for the third Sunday after Easter, called Jubilate. Bach composed the cantata in his second year as Thomaskantor in Leipzig and first performed it on 22 April 1725.
Chandos Anthems, HWV 246–256, is the common name of a set of anthems written by George Frideric Handel.These sacred choral compositions number eleven; a twelfth of disputed authorship is not considered here.
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