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Count Dracula is an example of a villain in classic literature and film. Theme from Mysterioso Pizzicato, a cliché silent movie cue for villainy Play ⓘ. A villain (also known as a "black hat" or "bad guy"; the feminine form is villainess) is a stock character, whether based on a historical narrative or one of literary fiction.
The Malleus Maleficarum, [a] usually translated as the Hammer of Witches, [3] [b] is the best known treatise about witchcraft. [6] [7] It was written by the German Catholic clergyman Heinrich Kramer (under his Latinized name Henricus Institor) and first published in the German city of Speyer in 1486.
A clever, mischievous person or creature, the trickster achieves goals through the use of trickery. A trickster may trick others simply for amusement or for survival in a dangerous world. The trickster could be a personification of the chaos that the world needs to function.
A goblin is a small, grotesque, monstrous humanoid creature that appears in the folklore of multiple European cultures. First attested in stories from the Middle Ages, they are ascribed conflicting abilities, temperaments, and appearances depending on the story and country of origin, ranging from mischievous household spirits to malicious, bestial thieves.
Hanlon's razor is an adage or rule of thumb that states: [1]. Never attribute to malice that which is adequately explained by stupidity. It is a philosophical razor that suggests a way of eliminating unlikely explanations for human behavior.
A minor character flaw is an imperfection which serves to distinguish the character in the mind of the reader / viewer / player / listener, making them memorable and individual, but otherwise does not affect the story in any way.
Both the concept and the etymology of the word, while being of uncertain origin, appear to stem from the Mediterranean island of Sardinia. [4] The 10th-century Byzantine Greek encyclopedia Suda traces the word's earliest roots to the notion of grinning (Ancient Greek: σαίρω, romanized: sairō) in the face of danger, or curling one's lips back at evil.
[9] Generally, violence in epics presents itself as a truth and way of life that a person may follow either for goodness or evil. It is also used as a device to convey the society's cultural value of reverence and respect for their deities; any act of disobedience or offense is punishable by the concerned deity. [10]