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There are many styles of traditional and modern music of Ghana, due to Ghana's worldwide geographic position on the African continent. [1] [2] [3] The best known modern genre originating in Ghana is Highlife. [4] For many years, Highlife was the preferred music genre until the introduction of Hiplife and many others. [5] [6]
Regions: Appalachia; Mid-Atlantic; West; Cities: Annapolis; Athens; Atlanta; Austin; Baltimore; Charlotte; Chicago; Dallas; Denver; Detroit; Fort Worth; Los Angeles ...
Contemporary styles of music in West Africa have been influenced by American music, African jazz and gospel music. [2] The forced migration of Africans to the Americas as a result of the transatlantic slave trade gave rise to kaiso [ 3 ] music, which has influenced the sounds of Calypso , [ 4 ] a style with major popularity throughout West Africa.
Music scholars, journalists, audiences, record industry individuals, politicians, nationalists and demagogues may often have occasion to address which fields of folk music are distinct traditions based along racial, geographic, linguistic, religious, tribal or ethnic lines, and all such peoples will likely use different criteria to decide what ...
This list contains musical instruments of symbolic or cultural importance within a nation, state, ethnicity, tribe or other group of people.. In some cases, national instruments remain in wide use within the nation (such as the Puerto Rican cuatro), but in others, their importance is primarily symbolic (such as the Welsh triple harp).
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]
Highlife was associated with the local African aristocracy during the colonial period, and was played by numerous bands including the Jazz Kings, Cape Coast Sugar Babies, and Accra Orchestra along the country's coast. [4] The high class audience members who enjoyed the music in select clubs gave the music its name.
Zenzile Miriam Makeba was said to have been one of the most influential and popular musicians of Africa, beginning in the 1950s. She was a part of three bands, including one all-woman band and two others. She performed all types of jazz music, traditional African music, and music that was popular in Western Africa at the time.
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