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Toggle Rickenbacker Electro Spanish Guitar subsection. 4.1 200 Series. 4.2 Rickenbacker 300 Series (Thin Body) ... Lap and Console steel guitars Guitars Bass guitars
The Rickenbacker Electro A-22, nicknamed the "Frying Pan" is the first electric lap steel guitar, also widely considered the first commercially successful electric guitar. Developed in 1931/1932, it received its patent in August 1937. [ 1 ]
Rickenbacker has produced a number of uniquely designed and distinctively trimmed acoustic guitars. Although a small number of Rickenbacker acoustics were sold in the 1950s and were seen in the hands of stars like Ricky Nelson [12] and Sam Cooke, [13] the company concentrated on their electric guitar and western steel guitar business from the ...
The Dobro or resonator guitar is a uniquely American lap steel guitar with a resonator cone designed to make a guitar louder. [ 15 ] : 109 It was patented by the Dopyera brothers in 1927, [ 15 ] : 109 but the name "Dobro", a portmanteau of DOpyera and BROthers, became a generic term for this type of guitar. [ 44 ]
At the end of 1931, Beauchamp, Barth, Rickenbacher and several other individuals banded together and formed the Ro-Pat-In Corporation (elektRO-PATent-INstruments) to manufacture and distribute electrically amplified musical instruments, with an emphasis on their newly developed A-25 Hawaiian Guitar, often referred to as the "fry-pan" lap-steel electric guitar as well as an Electric Spanish ...
The 330 group consists of full scale guitars with standard features. These models (numbers 330 to 345) feature 24 + 3 ⁄ 4 in (630 mm) scale necks, unbound 15 in (380 mm) wide bodies with Rickenbacker's trademark "slash" sound hole, and pearl dot fretboard inlays. The deluxe 360 model group, numbers 360 to 375.
Pages in category "Rickenbacker guitars" The following 11 pages are in this category, out of 11 total. ... Rickenbacker 400 series This page was last ...
The 325 was designed by Roger Rossmeisl, a guitar craftsman from a family of German instrument makers. Production models had a 20 + 3 ⁄ 4-inch (530 mm) short scale, dot fretboard inlays, and a small (12 + 3 ⁄ 4-inch-wide [320 mm]) body. The body is unbound, semi-hollow, with an angled sound hole, and boasts "crescent moon"-style cutaways.
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