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For a text to be considered creative nonfiction, it must be factually accurate, and written with attention to literary style and technique. Lee Gutkind, founder of the magazine Creative Nonfiction, writes, "Ultimately, the primary goal of the creative nonfiction writer is to communicate information, just like a reporter, but to shape it in a way that reads like fiction."
Creative nonfiction: factual narrative presented in the form of a story so as to entertain the reader. Personal narrative: a prose relating personal experience and opinion to a factual narrative. Essay: a short literary composition, often reflecting the author's outlook or point of view. Position paper
The Modern Library 100 Best Nonfiction was created in 1998 by the Modern Library. The list is what it considers to be the 100 best non-fiction books published since 1900. The list includes memoirs, textbooks, polemics, and collections of essays. A separate list of the 100 best novels of the 20th century was created the same year. [1]
Lyric Essay is a literary hybrid that combines elements of poetry, essay, and memoir. [1] The lyric essay is a relatively new form of creative nonfiction. John D’Agata and Deborah Tall published a definition of the lyric essay in the Seneca Review in 1997: "The lyric essay takes from the prose poem in its density and shapeliness, its distillation of ideas and musicality of language."
Narrative journalism, also referred to as literary journalism, is defined as creative nonfiction that contains accurate, well-researched information. It is related to immersion journalism, where a writer follows a subject or theme for a long period of time (weeks or months) and details an individual's experiences from a deeply personal perspective.
This category may include articles and sub-categories pertaining to various types of non-fiction literature, not only books, but also essays, documents, and other short or ephemeral forms. Subcategories
He argued that the non-fiction novel should be devoid of first-person narration and, ideally, free of any mention of the novelist. [citation needed] He was immediately intrigued after reading the story of the Clutter murders in The New York Times, and used the events surrounding the crime as a basis for In Cold Blood (1965). He spent years ...
This page was last edited on 6 September 2024, at 23:33 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
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