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A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term Tondichtung (tone poem) appears to have been first used by the composer Carl Loewe in 1828.
Tone Poems may refer to: Symphonic poem, a form of orchestral composition; 3 Tondikter (3 Tone Poems), by Wilhelm Peterson-Berger; Tone poems (Strauss), group of works by Richard Strauss; Three Tone Poems, by Charles Tomlinson Griffes; Tone Poems, by Michael Glenn Williams; Tone Poems, by Dave Grisman and Tony Rice
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention. Poetic devices shape a poem and its meanings.
The tone poems of Richard Strauss are noted as the high point of program music in the latter part of the 19th century, extending its boundaries and taking the concept of realism in music to an unprecedented level. In these works, he widened the expressive range of music while depicting subjects many times thought unsuitable for musical depiction.
Pines of Rome (Italian: Pini di Roma), P 141, is a tone poem in four movements for orchestra completed in 1924 by the Italian composer Ottorino Respighi.It is the second of his three tone poems about Rome, following Fontane di Roma (1916) and preceding Feste Romane (1928).
Poetry assessment drive: Please visit Category:Unknown-importance Poetry articles and assess as either High, Mid, or Low importance. Ongoing activity: Add the WP:Poetry template to the talk pages of articles related to poets, poems, and poetry collections to affiliate them with this project.
The diction, including the word "snatching", gives the reader a mental picture of someone quickly and effortlessly grabbing something, which proves once again Charlie's pride in himself. The "smug smirk" provides a facial imagery of Charlie's pride. In addition, using imagery in a poem is helpful to develop a poem's tone.
Aurora is an orchestral tone poem by William Lloyd Webber which is acknowledged to be among the composer's finest works. Written in 1948, it lay unperformed for many years. When a recording was issued in 1986 the Guardian newspaper's reviewer, Edward Greenfield, described the work as: "Music as sensuous as any you will find by a British compose