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Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
Fire, especially in the form of a candle flame, represents both the Holy Spirit and light. These symbols derive from the Bible; for example from the tongues of fire [27] that symbolized the Holy Spirit at Pentecost, and from Jesus' description of his followers as the light of the world; [28] or God is a consuming fire found in Hebrews 12. [29]
Among the points which were made in the study was the fact that the Bible says that Jesus's disciple Judas Iscariot needed to point him out to those who were arresting him. The implied argument is that if Jesus's physical appearance had differed markedly from the appearance of his disciples, he would have been relatively easy to identify. [ 71 ]
[5] [12] The colour white also tends to represent righteousness in the Bible, and Christ is portrayed as a conqueror in other instances. [5] [12] Besides Christ, the Horseman could represent the Holy Spirit. The Holy Spirit was understood to have come upon the Apostles at Pentecost after Jesus departed Earth. The appearance of the Lion in ...
In other cultures it may represent a bridge or an archer's bow. In Judaism and Christianity , the rainbow is associated with God's protection, as it is described in the Book of Genesis (9:11–17) as a sign of the covenant between God and man.
Vestments in different liturgical colours. Liturgical colours are specific colours used for vestments and hangings within the context of Christian liturgy.The symbolism of violet, blue, white, green, red, gold, black, rose, and other colours may serve to underline moods appropriate to a season of the liturgical year or may highlight a special occasion.
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The eagle represents the sky, heavens, and the human spirit, paralleling the divine nature of Christ. [14] In their earliest appearances, the Evangelists were depicted in their human forms each with a scroll or a book to represent the Gospels. By the 5th century, images of the Evangelists evolved into their respective tetramorphs. [3]