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A DJ scratching a record. Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously.
This is an accepted version of this page This is the latest accepted revision, reviewed on 2 December 2024. This is a list of onomatopoeias, i.e. words that imitate, resemble, or suggest the source of the sound that they describe. For more information, see the linked articles. Human vocal sounds Achoo, Atishoo, the sound of a sneeze Ahem, a sound made to clear the throat or to draw attention ...
Scraping a chalkboard (also known as a blackboard) with one's fingernails produces a sound and feeling which most people find extremely irritating. The basis of the innate reaction to the sound has been studied in the field of psychoacoustics (the branch of psychology concerned with the perception of sound and its physiological effects).
This scratch technique is much like the "transform" in some ways, only instead of starting with the sound that is cutting up off, one starts with the sound on and concentrate on cutting the sound into pieces by bouncing the fader off the cut outside of the fader slot to make the sound cut out and then back in a split second.
The area of the sliding track between these two extremes is a blend of the two channels. Crossfaders can be used to create smooth transitions between two songs on different sound inputs, or, when moved rapidly at the same time that a record is manipulated on a turntable, they can be used to create rhythmic scratching sounds and strange effects.
A demonstration of a guitarist palm muting Guitar phrase without and with palm mute. The palm mute is a technique for guitar and bass guitar known for its muted sound. It is performed by placing the side of the picking hand across the guitar's strings, close to the bridge, while picking.
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Chanking was developed by James Brown band guitarist Jimmy Nolen as a part of his signature "chicken scratch" sound. The technique appeared first with a double-chank on the first backbeat of each bar in "Out of Sight" (1964), [2] and in "Papa's Got a Brand New Bag" (1965), a song that typified much of Brown's subsequent work. [3] "