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GNU FreeFont (also known as Free UCS Outline Fonts) is a family of free OpenType, TrueType and WOFF vector fonts, implementing as much of the Universal Character Set (UCS) as possible, aside from the very large CJK Asian character set. The project was initiated in 2002 by Primož Peterlin and is now maintained by Steve White.
Fallback font (freeware fallback font for Windows) Free UCS Outline Fonts aka FreeFont (free/open source, "FreeSerif" includes 3,914 glyphs in v1.52, MES-1 compliant) Gentium (free/open source, "Gentium Plus" includes over 5,500 glyphs in November 2010) GNU Unifont (free/open source, bitmapped glyphs are inclusive as defined in unicode-5.1 only)
The Free UCS Outline Fonts [1] (also known as freefont) is a font collection project. The project was started by Primož Peterlin and is currently administered by Steve White. The aim of this project has been to produce a package of fonts by collecting existing free fonts and special donations, to support as many Unicode characters as possible.
Libertinus is a typeface forked in 2012 from the Linux Libertine Open Fonts Project, which aims to create free and open alternatives to proprietary typefaces such as Times New Roman. It is licensed under the SIL Open Font License .
The letter forms and the kerning of Pardo's Regular are identical with Mayr-Duffner's EB Garamond 12. The source of the fonts is drawn with cubic Bézier curves , thus the OTF-version (CFF-style) version of the compiled fonts should be preferred over the TTF-version, as TTF requires quadratic Bézier curves which have to be generated by lossy ...
Some fonts intended for typesetting multiple writing systems use Times New Roman as a model for Latin-alphabet glyphs: Bitstream Cyberbit is a roman-only font released by Bitstream with an expanded character range intended to cover a large proportion of Unicode for scholarly use, with European alphabets based on Times New Roman.
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The Unicode standard does not specify or create any font (), a collection of graphical shapes called glyphs, itself.Rather, it defines the abstract characters as a specific number (known as a code point) and also defines the required changes of shape depending on the context the glyph is used in (e.g., combining characters, precomposed characters and letter-diacritic combinations).
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