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Pietro Liberi (1605–1687), painter, active in Venice after 1643; Bernardino Licinio (c. 1489–1565), painter of Venice and Lombardy; Pietro Lombardo (1435–1515), architect and sculptor, active in Venice; Baldassare Longhena (1598–1682), architect, born and worked in Venice; Pietro Longhi (1701/2–1785), painter, born in Venice
Punta della Dogana is an art museum in one of Venice's old customs buildings, the Dogana da Mar.It also refers to the triangular area of Venice where the Grand Canal meets the Giudecca Canal, and its collection of buildings: the church of Santa Maria della Salute, (hence the area is also known as Punta della Salute), the Patriarchal Seminary of Venice, and Dogana da Mar at the triangle's tip.
Ca' Rezzonico (Italian pronunciation: [ˈka (r)retˈtsɔːniko]) is a palazzo and art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy.It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista ...
Paolo Caliari (1528 – 19 April 1588), known as Paolo Veronese (/ ˌ v ɛr ə ˈ n eɪ z eɪ,-z i / VERR-ə-NAY-zay, -zee, US also /-eɪ s i /-see; Italian: [ˈpaːolo veroˈneːze,-eːse]), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as The Wedding at Cana (1563) and The Feast in the House of Levi (1573).
Initially trained in a military school, he preferred the study of music and collecting art. He married in 1890 the Baroness Maria Hornstein Hohenstoffeln . However, by 1891 he had moved to Venice, and there soon purchased the then dilapidated Ca' d'Oro and set upon restoring the building, as possible, to its 15th-century layout.
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy.It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro.
This painting is a classic view of the Grand Canal, an attempt to capture the ever-changing face of Venice, as seen from the Palazzo Barbaro, one of the places where he stayed during his trip. In 2015, it was sold for more than $35 million at an auction by Sotheby's. Sotheby's called this painting "one of the most celebrated Venice paintings".
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