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The 400 Blows (French: Les quatre cents coups) is a 1959 French coming-of-age drama film, [3] and the directorial debut of François Truffaut, who also co-wrote the film. Shot in the anamorphic format DyaliScope, the film stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. One of the defining films of the French New Wave, [4] it ...
Hiroshima mon amour (French pronunciation: [iʁoʃima mɔ̃n‿amuʁ], lit. Hiroshima, My Love, Japanese: 二十四時間の情事, romanized: Nijūyojikan no jōji, lit. 'Twenty-four hour love affair'), is a 1959 romantic drama film directed by French director Alain Resnais and written by French author Marguerite Duras. Resnais' first feature ...
Truffaut, with The 400 Blows (1959), and Godard, with Breathless (1960) had unexpected international successes, both critical and financial, that turned the world's attention to the activities of the New Wave and enabled the movement to flourish. Part of their technique was to portray characters not readily labeled as protagonists in the ...
George Sikharulidze’s feature debut “Panopticon” is, the director says, a very personal movie. The film, screening as a world premiere in Karlovy Vary Film Festival’s main competition, is ...
The 400 Blows marked the beginning of the French New Wave movement, which gave directors such as Jean-Luc Godard, Claude Chabrol and Jacques Rivette a wider audience. The New Wave dealt with a self-conscious rejection of traditional cinema structure. This was a topic on which Truffaut had been writing for years.
Whereas The 400 Blows had been a tense shoot for Truffaut, his second film was a happy experience for the cast and crew after Truffaut's first success. [11] Truffaut had wanted to make it as a big budget studio film, but was unable to get sufficient funds and the film was made on the streets instead. [17]
Jason Isbell and the 400 Unit perform at Hollywood Bowl on July 21, 2024 in Los Angeles, CA.
Jules and Jim (French: Jules et Jim [ʒyl e dʒim]) is a 1962 French New Wave romantic drama film directed, produced and co-written by François Truffaut.Set before, during, and after World War I, it follows a tragic love triangle involving French bohemian Jim (Henri Serre), his shy Austrian friend Jules (Oskar Werner), and Jules' girlfriend and later wife Catherine (Jeanne Moreau).